Be-antlered Bunnies Blues Band Bounces Back

Jackalope Boyband

Jackalope are a three-piece blues rock band consisting of Jonah Stead on vocals and guitar, Alasdair Gauld on keys and Alistair Harrison on drums. First emerging as a concept in a charity fundraising concert in the Academy, they went on to perform at Orkney Live Aid in Matchmakers for the Philippines earthquake disaster appeal where they were talent-spotted and booked to perform in the county’s first exclusively “rock” festival in the Kirkwall Sailing Club. There, the trio upped the energy and took on a more aggressive style, which suited the event with a significant proportion of metal-heads in witness. Most recently, the lads played the Blues Festival, where they gained yet more connections in their most successful gigs to date playing in venues across Stromness including The Royal, the Stromness Hotel and the Ferry Inn.

The name Jackalope is that of the Native American mythical creature – a magical rabbit with deer antlers attributed with benevolent and dangerous qualities depending on the myth’s interpretation. The band prides itself with playing mostly original material and their own unique spin on classic blues standards. They hope to release their debut E.P imminently.

Jonah is the band’s frontman and principal songwriter. Following the break-up of the fast but bright-burning MCTB he embarked on a solo career where he honed his composition and technical skills, performing primarily for an internet audience on the audio-sharing site Soundcloud where he gained a small but dedicated following. His influences include Jack White, the Doors and classic blues artists. His guitar playing style is forceful and peppered with signature flourishes and motifs, while at the same time incorporating delicate picking, finger-work and interesting jazzy chords.

Alasdair, the piano man, keeps it cool in the back, casually keeping it all together in the absence of a bassist. He makes use of the entire range of his 88 keys in spiralling solos. Classical influences can clearly be heard amongst all the jazzy noodling, which gives a dimension of grandeur to the three-piece outfit. Sometimes he switches to organ, which is always nice to hear, given the keyboard’s capability of producing an adequate drawbar sound. A personal highlight is the flange effect, adding a sci-fi feel to particular songs.

Harrison is the latest addition to the band, joining to complete the group’s current line up at the Orkney Rock Festival, where the additional dynamic was required. He provides drive and extra energy to an already highly enthusiastic group. The addition of a drummer really elevates the sound, particularly in the newer, heavier songs – effectively increasing the contrast and the extremes of crescendo and diminuendo.

alasdair-from-jackalope-interview

http://https://soundcloud.com/alasdair-flett/jonah-harrison-from-jackalope-interview

P.S If you’d like to read more of this and other similar articles then visit StromNext’s Facebook or Twitter page and order a Stromnessian for only £5!

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Oh, and give these guys a follow while you’re at it.

http://https://twitter.com/_JackalopeBand

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Golder Strikes Gold in Prague

Amy Golder, aged thirteen, won six gold medals at the 2014 Kickboxing World Championship. I asked her what it’s like to be the world’s top kickboxer.


How did you discover you had a talent for kickboxing?

Well when I was in primary three Ryan Raffel came to the school and did a trial session with us and I really enjoyed it. Just as Mum and Dad were phoning to ask about me starting kickboxing, Ryan Raffel was phoning them because he had spotted my talent.

Can you briefly explain what is involved in a kickboxing match?

There are an awful lot of different types. In semi-contact you can hit half as hard. You use a lot of techniques and score only one point at a time. If you hit with a move then that is one point and you go back to your places. Rounds last a minute and a half or two minutes. There are three or four rounds per fight.

I do point fighting and light continuous. Light continuous involves punching and kicking continuously. You only stop if you or your competitor turns around turn around the other player or if they touch down on the ground or fall over. Those are the two types I do.

Kick light, another category, is nearly full combat and you have to wear shorts. It is like continuous but you can only kick to the legs. I tried it for the first time ever competitively in Prague and became the world champion.

What is your training like?

I do an awful lot of training. This consists of Tuesdays and Thursdays for up to four hours. On Friday I do fighting training for an hour. On Saturday I do an hour of fighting and exercise specific to me as a one- to-one session and then two hours with fight team members; mainly high intensity stuff. At the end of this we do a burnout exercise of perhaps 400 push-ups, 300 sit-ups, 500 tricep-dips or maybe even 800. We do loads of crazy burnout exercises.

Where has the sport taken you, in terms of competitions?

In competitions when I was younger I did sword sparring. You get given headgear and use a sponge sword and shield. You can do that until about my age although I stopped when I was seven. I then went to Scottish and British championships. In 2012 and 2013 I started winning Scottish and British competitions. I then went on to come second in the World Championship and won the European Championship. In 2014 I’ve won everything I’ve entered.

In terms of places I’ve been to Italy, Greece, Germany, France and the Czech Republic. I’ve been everywhere in England and a few places in Scotland. I’m hoping to go to Germany again next year.

What does it feel like to compete against people older than you?

I’m quite used to it because I train with people who are older than me. Most people start when they are young and quit when they get older. Others start in their twenties. I started when I was young. I only know three people who started at my age and have carried it on right through.

What are your plans for the future, do you have any specific ambitions?

When I’m older I’d like to travel the world and do loads of kickboxing seminars. I’d like to teach kickboxing and start my own club. I’d like to get fifth dan black-belt. At the moment I’m a first dan first star black-belt.

What is your proudest achievement?

The Prague World Championship, also the Athens Challenge where I won the continuous section.

Would you recommend people give kickboxing a try? How can they get involved?

You can get involved by going to places where you can do kickboxing. In Orkney that’s in George Street. There are a lot of leaflets around with information in them. It’s a good thing to do if your friends do it and there are always trial sessions to go to. The first class is free and discounts are available if you pay for several sessions.

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Needy Children Nab Our Money

Mid-November came around again and with it a certain custard-coloured bear and the barrage of frivolous fancy-dressers who conga in his wake. The longstanding tradition of three days antics in the name of Pudsey was retained with the all the zeal of previous years and moneys requisitioned nobly for the cause.
Wednesday
Wednesday saw the tables bedecked with assorted baked goods, turning the traditional lunch/break queuing area into a thronging marketplace – where the custom could indulge in guilt-free gluttony. The buzz and bustle was interwoven with the folky textures of a busking Ceilidh band, giving spring to the step of passers-by and in some cases, the excuse to link arms and fling each other about in joyous abandon. Despite this some still found the time to launch their coppers in the buckets set before the zealous musicians.
However, no silence rivalled the tense unspoken edginess to the start of the “Bid for a Butler” proceedings. It was an auction for the services of certain plucky sixth years who had offered themselves bravely to be ascribed a value by the public and to assist the highest bidder for a full day’s labour on the culminating Friday in tasks great and small for the sake of Children in Need. Who would yield the highest total? Was the estimated value enough to win? Would there be any bids at all?
Alongside this, there was a “Beat the Goalie” competition against staff goalkeepers at lunchtime– a tournament widely spectated and much enjoyed by all who looked on. Chemistry teacher, Mr Barber showed particular aptitude in saving penalties and his colleague, Mr Blance, could not resist the chance to try and beat him – putting boot to ball in his attempt.
Thursday
It was the turn of the school cooks to deliver on the confectionary front on Thursday with Pudsey-inspired creations being produced and sold in the canteen. Again the uplifting lilt of spritely folk music was heard in the foyer to the delight of all who passed through, punctuated by the incessant clamour of monetary shrapnel resounding in the collection buckets circulating continuously throughout the day. The lecture theatre became a fairground of stalls with all the usual favourites including a lucky dip, sweeties in the jar and nail in the bale. A round robin dodgeball tournament was held in the games hall, with teams comprised of teachers, S6s, Young Ambassadors along with a Rest-of-the-School entry. All of this of course, was conducted in fancy dress with all manner of participating caricatures from robbers to Hawaiians and jocks to winter-wanderers.
Friday
Friday, as always, was a fancy dress affair. Scooby Doo and the Mystery Machine crew split up to look for clues around the school. A Harry Potter posse cast their charms and Dorothy, Scarecrow, the Cowardly Lion and the Tin Man skipped along the yellow brick road to every class. Butlers did their service and many dressed for the part, serving gentlemen with long watch chains and walking canes.
At interval a solitary Tin-man stood and led the school into spontaneous dance. The dining hall was filled with revellers throwing shapes with varying degrees of synchronicity to the soundtrack of the Macarena. The flashmob was filmed and made it on to national television in the BBC’s evening programme.
The main event was a distinctly Orcadian take on the popular TV show “Take Me Out”, this time taking on the moniker “Tak Me Oot.” Much hilarity ensued as the vanity-stricken Mr Walker, with his luxuriant greasy locks, hooked up with Mrs Stead; the hopeful Mr Troxler (outfitted in the regalia of the covenant) was rejected by all the single ladies and the energetic Mr Beasley was bestowed with the suspiciously familiar-looking Miss Carmichael.
Watch the flashmob here:

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Swathes of Switzerland

I’ve been helping artists make a giant seal. It’s a selkie, to be more accurate; a costume for three singers to project their hopes and fears.

Playing croquet too, in the evening sun, putting on a lawn commissioned cut; although I promised not to go on in great detail.

Yes, I’ve been away for quite some time but not sat idle. There’s a project brewing, undisclosed other than existence and that it’s on the cusp of completion.
I’m in my final year at school (though these are the holidays) and doing AH English & History along with highers in Physics (after a year’s gap) and Biology (crash) that is if all goes to plan in August. I am interested in language, having studied German at higher last year, and English as well, though I’m yet to pinpoint a career or course.
Am I going away this summer? I’ve been. On a school trip to Switzerland…let me tell you about it…

Two days on a bus: not much fun. Though I witnessed the magic of Disney’s Frozen on the inbuilt cinema system along with the wonders of dazed midnight service station expeditions. Trashy chickflicks abound alas; though I had Atwood with me should I wish to block the whiny irksome voices.

On the Pia-Pia P&O Ferry I bought a headphone splitter. I gazed upon the choppy wake of our two-hour passage and watched as those most fabled chalky cliffs faded away. So my travelling companion and I shared in Talking Heads, Blondie and Arctic Monkeys until we arrived in Ghent where Belgian flags festooned the high rise flats.

I saw a beautiful city and a brilliant people rising from the abysmal bus journey. Literally, it was gorge. Every corner turned unearthed a whole new trove of exquisite architecture and character. People cruised by on the canal, which ran right through the centre. It was a pedestrianized Utopia; though most used bikes (somehow all quaint and vintage) in truth. We ate warm waffles with sweet strawberries and cream; they stuck to their cardboard base but otherwise were divine. I tried a snail – wasn’t convinced.

We arrived in Switzerland the following evening. Les Mosses, specifically: La Sapiniere, a ski resort depopulated in the summer months. On the slope of a stunning U-shaped valley up a winding road with manifold hairpin bends.

Our holiday got going with a visit to La Fromagerie or “the cheesery” an alpine dairy farm opposite us. It had its charm but it wasn’t really my thing. However, you probably know this as cheese is not a subject I blog frequently about.

Anyway, after this we ascended the “Glacier 3000” by cable car. It was rather misty so there was not a great deal to be seen above a certain height. We dangled from a ski lift, which disconcertingly stopped jerkily every so often when we were just a little too high off the ground for comfort. I purchased a postcard from the German-speaking shop. Well, I assume they were German-speaking as my request was met when I spoke to them in the aforementioned tongue – I seemed to be blanked for all my efforts (perhaps I tried too hard.)

Next we were a couple of days early for the Monteux jazz festival where fences sang and a cat crept from the bushes. Against the serene background of Lake Geneva we snapped selfies with the statue of Freddie Mercury in the main square.

The day drew on the temperature rose to a sweltering 34 degrees Celsius. We arrived at the United Nations HQ in Geneva and were taken on a brisk tour where we espied the vibrant stalagmitic roof of the Human Rights assembly room and the Art Deco League of Nations era wing. Painted on the ceiling of the League of Nations chamber was a truly epic mural depicting the steps of civilisation. I wanted to buy all the books in the gift shop, consequently this left me with no choice but to leave with none.

In Chamonix we stepped into the void. There I ordered “un chocolat chaud” to more response than the language that I’d studied which equally delighted and dismayed me. We then took the funicular to yet another glacier; this time we got to go inside it. It was reminiscent, for me at least, of “The Wall” in Game of Thrones with ice all around, illuminated in an ever evolving spectrum. We climbed a long stair to access it which is made more a descent with each year as the glacier retreats and melts away.

The final day we set off to Aosta on the Italian border with Switzerland. We sampled its fine wares; the best ice cream I’ve ever had and for only two euros and of course, the pizza. By now a multilingual citizen of the world I had decided that Italian was simply a mix of French and Spanish, both languages I’d mastered (I got to level 5 Espanol on the “Duolingo” app during exam leave) and so the tongue of the city was mine to manipulate. Walking down the promenade, we were the four musketeers: the Aryan with the telescopic lens; a turquoise tangle in monochrome vertical stripes; a vision in cobalt blue and I, the American ambassador. In the quiet of a secluded alleyway the sweet song of clarinet filtered through a first floor window, practiced and performed, unaware of its own audience – a blissful moment. Not to mention someone zoomed past on a Segway!!!

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Barbaric Snippet

I’ve had my hair cut. Sorry to spoil the big reveal but I thought I’d take the medium to proclaim this publically. Walk-in barbers; contemplative places don’t you think? Give you time to reflect, one might say- thou turnst mine eyes into my very soul/and I see there such black and grained spots. Yes, a place where conversation is inevitably necessitated but where eye-contact is quite pragmatically eliminated to the occasional upward glance- this suits me fine.

There was a time I hated all of this of course. The indecision, the trauma, the humiliation – connotations I suppose of films with prison camps. That dreadful itchy nose which overcomes it seems all other thoughts when on that raised black throne. That stray hair which can’t be brushed away by hands bound underneath my tight-collared frontal cape.

Now I seem to rather like the notion. Yes, there’s still the awkwardness upon the leather couch. The location of the subwoofer has always irked me – I’ve found the satellites but am yet to spy precisely where the deep bass tones are emanating from. I’m always conscious of the intimate proximity that’s forced upon us on the intermediary seating. However, this is amended by the attention afforded when one ascends tentatively from the leathern lows to lofty swivelled heights.

I’ve realised it’s quite hard to report back from these excursions, as I do so now, as to the precise identity of the one who wields the blades. Where I could say: the blonde one; the brunette; the redhead, I’ve found these traits to be indefinitely variable with the given profession.

I’d say my current cranial architecture was a collaborative project. I’ve gone to these things more open to suggestion recently, more malleable, increasingly willing to be moulded, perhaps?

To be fair I’m sure this verbal parry is distant from genuine interest. It’s an artificial construct. I look on it a kind of game. The sterile sofa, staring straight ahead, the stereo seems capable of solely a single station. Shifty males; conscious not to reveal any hint of intent; detail that would shatter their steely exterior. I watch them as they rise and start to smile, their moodiness dissolved within that instant and I listen and I learn and wait my turn.

I’m called and now I know that I must take the stage. It’s odd how these things seem to catalyse revelatory truths. I once heard a man confess his Mormon heritage upon this chair. His friend of many years appeared oblivious to this and he and I shared in the tale of his baptismal swimming pool immersion.

And so I sit as Samson’s strength is sapped and spill out tails of snakes and lizards seen in Sutherland. She giggles at my sides and says, “You’ve got white bits here.” I am shocked for a fraction from fear I’m going grey prematurely. Possibly sensing my anxiety she quickly amends her statement with, “tan-lines.” Yes, I’ve been on the final Duke of Edinburgh Silver expedition in Caithness and got myself a generous lathering of springtime sun.

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Hybrid Constellation E.P Review

Wow. I’ve just drawn breath after listening to Hybrid Constellation’s self-titled second E.P for yet another time. Five songs with more force than the entire Jedi council put together. It’s the kind of selection that makes it impossible not to head bang some, and assuredly I did.

The cover, created by Dirk Robertson, depicts a skeletal double-headed birddog in the Norse style, fitting considering it was revealed in a genetic study recently that approximately 25% of the population of Orkney has Viking blood. Other mythical creatures, such as a charging centaur, dance around this motif in a circle, also in authentic style as white lines against a blue background. It is certainly artwork that deserves a second look.

The mini-album was recorded in a session format with S&M Home Studio Productions, the fact that they were playing as a band really enhances the sound and captures the live energy very well. The change in line-up has added a certain freshness with drummer Ross Clark doing a reverse Dave Grohl and swapping strumming for sticks. Also joining the ranks is guitarist Taylor Pirie who does a fine job of reinventing Clark’s guitar parts on some of the band’s live staples.

The first track is quaintly titled “Ugh no” and is post-punk ode to procrastination. The E.P opens with what would seem to be a Rage Against the Machine-like ending and from here on in the games begin. My, this new sound is, to use the band’s own expression “chunky.” The guttural stuttering of the kick drum reigns in the triumphant cry of, “I am the epitome of lazy.” A small criticism I would make would be that this track may have benefited from a crisper bass tone so the tunes can cut through.

Next up is “Legion Blues.” A snare hit and we’re in, really no messing about. I’m going to contradict myself here but this track in particular is an exception in the bass tone department. I’ll confess I’m a sucker for that gritty gnarly goodness that has an affirmative nod to Tom Commerford of RATM. Lyrically, this track is my favourite but I honestly think for all the great lines within the song, the title seems a little irrelevant. Clearly the Legion is a landmark venue for the band…but for those who don’t know, the track name would appear puzzling. However on the positive side, this seems to be a song with a purpose. Aidan Moodie, the lead vocalist, appears to be saying that saving pornography on your mobile is a form of rebellion against internet censorship. It seems that a lot of teenagers are more politically active than I thought.

One of Hycon’s first originals features on this new E.P, a vamped up version of “Good Time For A Revolution.” I will reiterate my preference for the bass being higher in the mix for the intro, it does sound slightly muddy. I am a fan of Clark’s groovy high-hat work on this track. The main riff is a killer. Lyrical highlights include, “devour the hand that feeds” and “to keep the throne you’d kill your own.” The guitar solo part is well balanced with a full bottom-end being provided by Flanagan, contrasting effectively with Pirie’s wailing.

The penultimate song hmm… I may be guilty on account of the title. Vicious speed, the furious palm muted guitar chugs away like a helicopter. After the gallop reaches its peak the song becomes a bit of a brute really, it’s nasty…of course in a good way. The break sheds a spotlight on the cymbals accompanied by snippets of abruptly percussive guitar. The solo features a good lathering of hammer-ons.

Harvey Djent (the name a play on Two-face from Batman and the name of a metal sub-genre) is the E.P’s shortest track but does not lack for content and is the most imaginative musically. The riff is a tasty thing and the verse features quite lovely guitar motifs and bass twiddles. There is an effective change in dynamic with some clean guitar, something I think the E.P as a whole could have done with a little more of. The track is the most fun on the album groove-wise and with interesting rhythms that make you twitch like you’ve got Tourette’s.

Overall, the E.P is extremely tight and doesn’t really ever pause for breath…I’m excited to see what the group could do given the time for a full album. Moodie shows moments of great lyrical wit, though this is sometimes a strain to hear over the industrial clamour of the rhythm section. The bottom end has bulk but sometimes lacks definition where it is the main feature. However as a showcase of their work, it is a success and is a fair distillation of what Hybrid Constellation is all about.          

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Dinner with Friends

The royal family; take whatever stance you please but aside from littering the world with bunting and cluttering the country with tasteless memorabilia they have done one good thing for me; motivated the beginning of this blog. Really, the trinkets and tat are nothing to do with the Windsors themselves and can be more reasonably be attributed to the idolisation that people so often unquestionably bestow upon those who are at heart, just like us. The royals are quite unnecessary but are decent individuals whose decency extends to the foundation of marvellous things such as the Duke of Edinburgh Award. Of course, one could say that the royal family exist on government money and thus are contractually obliged to be charitable but we’ll brush over that…

As you will doubtless remember, I have used the art-form of the blog to convey to you my endeavours in progression towards this fabled accolade. In order to complete the sections in the award it has to be externally assessed. With regard to my skills section, this came in the form of me hosting a dinner and after sampling my wares, the participants evaluating my success/failure.

I don’t know if you know but my ideas tend to do a lot of brewing before they become fully fledged into being and this was no exception. In truth it was an extension of the thinking behind the whole Formal Tuesday philosophy that led to the conception of such an event. Part, but I daresay not all, of the idea behind Formal Tuesday was to do with how I felt about young people being viewed as rude, socially inept, unsophisticated slobs. In fairness, this assessment is not entirely unfounded and I find myself increasingly appalled by blatant, even boastful littering and the consciously unkempt. I believe we must do all we can not to conform to this stereotype, but in a roundabout way; to conform is not to conform. I admit I am idealistic, I think there is a higher way to live and that it can be achieved with little effort, merely focus. What I strive for is structure outside the prescriptive.

Am I losing you? In the words of Mr Rizzle and Mr Kick “let’s skip to the good bit.”

I wished to include a wide demographic that would extend across social groups. I have in the past described myself as something of a delocalised electron. As much as I believe in individuals, I invited my guests in groups of two so while they would each bring their unique perspectives on collective experiences, they would feel comfortable enough to share these in the presence of a known friend, thus creating optimum conditions for interesting dinner conversation. The carefully selected group plan was in the most part a success and would have been entirely so, I think, if a certain granny’s 80th had not cast a thin film of reservation over one of the guests.

To the food; I cooked my debut dish once again, Moroccan Chicken. It was distinctly less red than my previous attempt. I asked my guests to fill out evaluation forms “Come Dine with Me” style after the feeding for some outsider feedback. The average rating for presentation was 8.8/10, which was reasonable for when it comes to food I am usually less than picky about the aesthetics. I got a mean score of 9/10 for taste which I am fairly chuffed about. The average overall mark was again 9/10. The comments included, “absolutely delicious,” “jolly good” and “the menu was lovely as was the hosting.” Criticisms were, “starter and full effort cooked pudding required for full marks” which is justified as it was just shop-bought pre-made meringues and fruit and “couscous was a bit stodgy.” The couscous seemed to have retained a lot of water and become slightly congealed as the guests took longer to arrive than anticipated resulting in unwanted partial cooling. The red onion could also have been mixed in more thoroughly.

The evening had highs and lows but I would say mostly highs. I was perhaps in a rather blunt and jittery mood to begin with but as initial configurations were accounted for, the night ran relatively smoothly. I had prepared a quiz for my relations to play at Christmas that had not been used over the festive period so decided to invoke this to provide some entertainment. Unfortunately after a couple of rounds my latest guest had to leave. By the closing rounds I began to wonder whether I had made the quiz too hard as I was struggling to answer my own questions without the assistance of google. This coupled with the relevance of some the questions to December’s news as opposed to more recent current affairs.

The night saw the public debut of my new subwoofer’s integration with my existing P.A system in an attempt to create some kind of atmosphere. It was not long before High School Musical was being blasted out with enthusiastic singing/mouthing from at least two of the guests. There was an unanticipated lull after the quiz but the time was filled with one and a half rounds of “the post-it-note game” before it was time to head home. Perhaps next time I shall tweak the demographic and cook more cheaply (expensive ingredients.) All in all an experience I would gladly repeat.        

 

 

   

 

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Weekend

And so I lie upon this bedroom’s carpet

Littered with fluff, dust, O, snapchat from Harpiic

Received at sev’n p.m, what does it say

I wonder? Ever ‘tis I do proclaim

Shall not I be inclined to soon reply.

This end of week have I so named empty

For want of songs of ice and fire aplenty

Clasped in my hand, my eyes will drink, I’ll sing

My mind a vessel for their tuneful ring

Reverberating round. My gaze is bent

To dancing, sodden fields and merriment

Enjoyed by others, none less so than she,

Who welcomes one who shares such song I bleat,

Into mine own home for with me to meet.

He’ll sing and dance as they do, like a slave

A puppet to desire. My look, grave

Enthralled to this script and form and verse

With scarce room as in a fat man’s hearse.

But who is left to blame but I alone?

I made my choice and you made yours I know

‘tis I who writes and lies on fluffy debris

Whilst you twirl, O not so steadily

And while I scribble, the guises put on

And shed, achieve a certain end, common

Ground, which is to blunt the edge and make norm

Which you do with liquid, and I with form

And so we veil the vulgar in the vague

And from ourselves and others truths do save

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Curvilinear Ascent

Well, in the words of the Arctic Monkeys, “it’s two thousand and thirteen all across the galaxy” but not for much longer. What has the year given me, what have I taken form the year? The birth of this for a start. The monologue that is a universal dialogue. My therapy, my vent your insight into the surface of a fragment of my reality. You may say “he’s an egotist,” “pretentious” and you may be right but all I want to do is make the historians lives easier when they piece together the evidence for my great biography.

January, Biffy Clyro released their double album which all in all I have to say was impressive. It is a bit of a regret that I didn’t go to see them in April when they were in Aberdeen but, there is still time. I suppose they were a sparking point for the start of the blog, I had originally planned to review a lot of things; I have done so partially, more in the odd opinion than direct critiques. I’ve tried to make comment more than make judgement, or make comment and infer judgement. Vagueness is a characteristic I have noticed in myself this year, avoiding being direct is cripplingly easy.

Academically, I swung my legs over the standard grade hurdle and chose my highers. As I have to repeat many a time these are as follows: Maths, English, History, German and Chemistry. I am asked what I want to do after school, depending on how comfortable I am, I will answer, “I don’t really know” or, “I definitely want to go to university but I’m not really sure what I’m going to do.” Historically, as a throwaway answer to fill a box I’ve said journalism. Now, I see that most are not credible and are employed to have a particular bias. One cannot be to critical of journalists though as I am, technically, an amateur journalist.

An ethical career. That’s what I would like, a job where I feel by working I am making the world a better place. That’s what I’ve discovered about myself this year, I am idealistic but I’m a skeptic. However I am an optimist and never a cynic. As The Cribs song says, “I’m a realist, I’m a romantic, I am indecisive and that’s about it.”

With my work I’ve made some real friends. In particular a certain head chef who fled these islands for a new future in Edinburgh. He, more than anyone, has had the greatest impact on my life. I realised, in his company, that maybe I wasn’t so weird after all and there was hope that maybe someday I could meet someone who could really understand me, perhaps more than I understand myself. He shared with me his wonderful lore of indie music and life advice for which I am a richer person today.

The Duke of Edinburgh Award practice expedition, I have to say despite blisters that stayed with me for weeks afterwards, was a highlight of the year. I have decided that however mad it seems, considering the appalling conditions by day 3, that just wandering around in the middle of nowhere with your friends, an oppressively heavy backpack and a compass is actually great fun.  My volunteering with the Pier Arts Centre has given me more confidence and general skills and was very privileged to receive a Summit Saltire Award from them.

This Christmas I joined the choir at school, I claimed I was press-ganged but I suppose you could say it was tolerable. I’ve jumped ship in the wind band and now align myself with the rhythm section playing bass guitar (a worthwhile new addition to the growing rig.) Christmas well and truly lost its magic this year, with all presents in full view in the living room. The day was tainted with some humbling news, but it was merry nonetheless.

What does 2014 hold for me? Well I turn 17 in February so I’ll be on the road soon enough. I’ve already had an introductory lurch forward in the driveway (I didn’t stall.) Sitting highers…university applications :O The Commonwealth Games I suppose. The Referendum…and what else, who knows? 

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Orkney Live Aid Review

It was a howling and a miserable Saturday night, the climb-down from last week’s epic Dr Who 50th anniversary, everything tending towards the mean. A biblical union, awards for the Pier and now this on the eve of St Andrews; a helicopter plummets into a Glasgow pub leaving eight people killed.

However, in spite of the adversity at home, people were still able to think of those in the Philippines whose lives had been devastated by Typhoon Haiyan. Orkney Live Aid saw the bringing together of established and emerging acts on the local scene in Matchmakers to raise money for this cause.

Sitting there at the table with my soda water and lime I couldn’t help but draw some parallels to the situation of those in Glasgow at half past ten the previous evening; a packed building, the band playing, everyone having a great time. Soda water and lime, friends hadn’t tried before, it’s a very sour concoction.

Just in time to see Jackalope (Native American mythical rabbit with deer antlers). A two piece band that had, at one stage, been three with myself on drums. It was a bluesy affair all in all comprising of composer and frontman Jonah Stead on guitar and vocals and Alasdair Gauld on piano/organ. Some tuning issues to begin with, but these were quickly resolved and an upbeat Jack White-esque stomper ensued. They played the Doors cover “People are Strange” which received nods of approval from Orkney’s old rockers. A fuzz infused slide guitar with tantalising organ tones original got heads bopping in one corner of the room. “St James Infirmary Blues” had a particularly epic piano intro, this duo is one to look out for and this will surely not be last time they perform at an event like this.

Next up were The Replay, a trio of veterans of the Orkney music scene. I felt the guitar wasn’t quite in tune during the first song, which was a shame. Their bluesy dad-rock wasn’t exactly to my taste but was well executed. They redeemed themselves though with what was quite an exciting cover of “Message in a Bottle” by The Police. Don, the guitarist, made full use of the chorus effect getting the ringing mournful sound just right. Again showing technical proficiency, the band covered U2’s “Still Haven’t Found What I’m Looking For” with wonderful delay and a tight thumping rhythm section.

The Tribe then took to the stage. Clearly they were all experienced musicians and were, I felt, the most polished act of the night. They kicked off with Jet’s “Are You Gonna Be My Girl?” with its stop-start dynamics; this was a good showcase of their coordination. The lead guitarist could shred, the vocalist could sing, bass and drums were locked firmly together; a successful formula for a band.

Now, the moment I had been waiting for. Too long have I followed their career purely through the medium of Facebook. Now was the time, Hybrid Constellation had arrived. Truly, they were a band of unbridled energy. They started with Rage Against the Machine’s “Sleep Now in the Fire,” the vocalist Aidan Moodie displaying his enigmatic charisma egging the crowd on. Next was a brutal segment of gloriously heavy grooves, an evilly down-tuned guitar dropped incredibly distorted power chords. Ross Clark, with his stylish beard, has to be the most enthusiastic drummer I’ve ever seen, laying down an endless supply of beats; even standing up in the middle of songs to scream obscenities before slamming back down on the crash/china cymbals to herald the start of a new level of heavy. Unfortunately there seemed to be technical problems with the bass and so David rushed off stage to try and find a solution. Thankfully after a great performance of Nine Inch Nail’s “Hurt” the band were able to fill the gap with a spontaneous jam conducted by Clark and guitarist Taylor Pirie, this showcased the musician’s creativity as each groove seamlessly flowed into the next; an unexpected treat. The band finished with an angst-filled rendition of “Killing in the Name” followed by Black Sabbath’s “Paranoid.”

The thing I find most captivating about this group is that what may be superficially intimidating, is actually a ridiculous front. Heavy metal as an act is cathartic for both the audience and the performers, it is an exaggeration of the anger and evil that resides in part in all of us and provides escape and release to all those who experience. Hybrid Constellation are genuine and very friendly people, all members took the time to speak to me after the performance . What they provide is a service that is satisfied nowhere else on Orkney, they recognise this and it can be seen in how they put everything into what they do. 

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